Submissions

I’m looking for stories that pull readers in and don’t let go—books with unforgettable characters, an undeniable voice, or a world that feels lived-in and transportive. I represent general fiction, speculative fiction, horror, and mysteries & thrillers, and I love novels that balance emotional depth with narrative momentum, spanning both the commercial and literary spectrum.

I work best with writers who are passionate about their craft. My role is to be both a creative sounding board and a strategic partner—helping shape not just individual projects but long-term careers. I bring a deep commitment to my authors, offering industry insight, editorial support, and a sharp eye for what makes a book stand out.

I respond to all queries and welcome submissions from LGBTQIA+ and BIPOC creators. Below, you’ll find more on what I’m excited to see in my inbox. My wishlist is not meant to be prescriptive—if you think your work might be a match, I’d love to hear from you.

What I’m Looking For

General & Upmarket Fiction

I’m looking for general fiction that balances literary craft with broad appeal, whether through a strong voice, thoughtful structure, or a smart premise. I’m especially drawn to fiction with a strong emotional core and books that explore relationships, nature, grief, or transformation through an inventive lens. I’m also a fan of stories where natural landscapes, disaster, or survival settings become intrinsic to the emotional stakes.

I love upmarket fiction with psychological complexity, unreliable narrators, and layered character dynamics—stories about power, intimacy, and ambition, particularly those set in academic, artistic, or high-pressure environments. I’m also interested in multi-generational fiction that bridges timelines, exploring history, memory, and the ways personal and cultural legacies are carried forward.

Recent favorites: Remarkably Bright Creatures by Shelby Van Pelt, The Vanishing Half by Brit Bennett, Lessons in Chemistry by Bonnie Garmus, Everything I Never Told You by Celeste Ng, Marlena by Julie Buntin, Everything’s Fine by Cecilia Rabess, Miracle Creek by Angie Kim, Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin, The Wedding People by Alison Espach, Nothing to See Here by Kevin Wilson.

Speculative Fiction & Horror

I love speculative fiction with a confident or literary voice and books that build immersive worlds while keeping the focus on character. I’m particularly drawn to speculative concepts that explore identity, time, and history—especially those that weave together personal stakes with high-concept ideas. I’m also interested in stories where technology, memory, or an unusual artifact connects unlikely characters across time and space or uncovers hidden family histories, and I really enjoy historical fantasy, reimaginings of myth and folklore, and speculative takes on cultural and societal shifts.

I’d also love to see more horror, whether it’s psychological, gothic, folk, supernatural, or something entirely unexpected—stories that create an atmosphere and sense of foreboding that stays with readers.

Recent favorites: Death of the Author by Nnedi Okorafor, The Lost Story by Meg Shaffer, Mexican Gothic by Silvia Moreno-Garcia, Emily Wilde’s Encyclopedia of Faeries by Heather Fawcett, The Ministry of Time by Kaliane Bradley, A House with Good Bones by T. Kingfisher, The Only Good Indians by Stephen Graham Jones, Babel by R.F. Kuang, The Familiar by Leigh Bardugo.

Mysteries & Thrillers

I’m drawn to literary thrillers and genre-blurring mysteries—novels with sharp writing that reinvent familiar tropes or deliver a unique perspective. I especially love dark humor and protagonists that don’t feel like your typical lead.

Recent favorites: The God of the Woods by Liz Moore, Listen for the Lie by Amy Tintera, The Thursday Murder Club by Richard Osman, Notes on an Execution by Danya Kukafka, Counterfeit by Kirstin Chen, Lucky by Marissa Stapley.

Young Adult & Middle Grade

In young adult, I’m drawn to high-concept speculative fiction, including fantasy, science fiction, horror, mysteries, or thrillers. In middle grade, I want stories with adventure, mystery, or heart—books that transport young readers and create a lasting sense of wonder. I especially love narratives that feel timeless and immersive, like The Girl Who Drank the Moon by Kelly Barnhill or Tuck Everlasting by Natalie Babbitt. I also love contemporary middle grade with a unique speculative twist—books that examine personal identity through an inventive lens—and historical fiction that explores a significant event or cultural moment from a different angle.

Recent favorites: Shatter Me by Tahereh Mafi, The Year of the Witching by Alexis Henderson, Scythe by Neal Shusterman, Strange the Dreamer by Laini Taylor, Sadie by Courtney Summers, Furia by Yamile Saied Mendez, The Swifts: A Dictionary of Scoundrels by Beth Lincoln, The Night Diary by Veera Hiranandani, Song for a Whale by Lynne Kelly, The Last Cuentista by Donna Barba Higuera, Jennifer Chan is Not Alone by Tae Keller, Front Desk by Kelly Yang.

Story Elements I Love

  • Speculative layers that shift how readers see the world or introduce a bit of magic into the mundane

  • Horror that lingers—unsettling and atmospheric rather than pure shock value

  • Layered, complex characters and morally grey choices

  • A strong sense of place—settings that feel alive and lived-in

  • Narratives that play with structure in a creative and organic way

  • Romantic stories that feel timeless and sweeping

  • Female-centered stories with themes of motherhood, identity, ambition, and resilience

  • Folklore, mythology, and histories beyond the Western canon

  • Multi-generational and multi-timeline storytelling that links characters in unexpected ways

  • Books where love, memory, and history are explored through a speculative or high-concept lens